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The little church of Santa Maria della Spina, in Pisa

The little church of Santa Maria della Spina, in Pisa


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The little church of Santa Maria della Spina, in Pisa

The little church of Santa Maria della Spina, in Pisa Pisa Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1928. Date of Artwork:1323

Anderson
ADA-F-028488-0000

Media ID 33148370

© Alinari Archives, Florence

Objectgothic Portal Spire Three Light Window


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> Architecture > Churches

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Gothic architecture

> Religious Art > Religious Architecture > Churches and Cathedrals

> Religious Art > Religious Architecture


EDITORS COMMENTS
This photograph captures the enchanting beauty of the little church of Santa Maria della Spina in Pisa. Standing proudly against the backdrop of a clear blue sky, this Gothic masterpiece transports us back to the Middle Ages, immersing us in the rich history and architectural brilliance of Europe. The image, taken in 1928 by Anderson from Alinari, showcases every intricate detail of this remarkable structure. The portal, building elements, and decorative sections are meticulously captured, revealing the craftsmanship that went into its construction. The bow-shaped arches gracefully frame the entrance while a slender spire reaches towards the heavens. As we delve deeper into this visual narrative, our eyes are drawn to a statue nestled within one corner of the church's facade. This religious sculpture serves as a reminder of its Christian significance and adds an element of reverence to its overall presence. The three-light window on one side bathes the interior with soft natural light – a testament to both functional design and artistic intent. Its delicate tracery creates mesmerizing patterns that dance upon ancient stone walls. Dating back to 1323, this timeless artwork stands as a testament to human ingenuity across two millennia. It is not merely an object but rather an embodiment of Gothic architecture at its finest – evoking emotions through form and space. Anderson's skillful photography allows us to appreciate every nuance and intricacy present in this print without commercial intentions or distractions. Through his lens, we are transported back in time; we can almost hear whispers echoing through these hallowed halls as they bear witness to centuries' worth of prayers offered within their sacred embrace.

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