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Frontispiece, from "The English Spy", pub. 1824 (hand coloured engraving)

Frontispiece, from 'The English Spy', pub. 1824 (hand coloured engraving)


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Frontispiece, from "The English Spy", pub. 1824 (hand coloured engraving)

3085942 Frontispiece, from " The English Spy", pub. 1824 (hand coloured engraving) by Cruikshank, Isaac Robert (1789-1856); Private Collection; (add.info.: shows different aspects of Society; ); The Stapleton Collection; English, out of copyright

Media ID 22758592

© The Stapleton Collection / Bridgeman Images

Amputee Cambridge Commons Dons Gambling George Iv Hell Hobbies Lords Prison Prison Cell Suicide Trafalgar Universities Veterans Waterloo


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EDITORS COMMENTS
This hand-coloured engraving, titled "Frontispiece, from 'The English Spy', pub. 1824" takes us on a visual journey through the diverse aspects of society during the early 19th century. Created by Isaac Robert Cruikshank, this print showcases various scenes that reflect the multifaceted nature of life at that time. From universities to hobbies, amputees to dancing, learning to commons, prison to suicide and death to hell - all these elements are depicted in intricate detail within this artwork. The artist skillfully captures the essence of lords engaging in gambling activities while poets immerse themselves in their creative process. A glimpse into a prison cell reveals veterans who have fallen on hard times. Notably, we see King George IV himself portrayed alongside paintings representing significant historical events such as Waterloo and Trafalgar. The prestigious academic institutions of Oxford and Cambridge are also featured prominently with their distinguished dons engaging in intellectual pursuits. Through its rich symbolism and meticulous craftsmanship, this print offers an intriguing window into the social fabric of early 19th-century England. It invites viewers to contemplate the complexities and contradictions inherent in society during that era – from leisurely pastimes to harsh realities faced by those less fortunate. As part of The Stapleton Collection held privately but now available for public appreciation due to it being out of copyright status; this remarkable piece serves as a testament to both artistic talent and historical documentation.

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