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Leon Blum. 1930-1936 (engraving)
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Leon Blum. 1930-1936 (engraving)
6437690 Leon Blum. 1930-1936 (engraving) by Larquier, Philippe (Phil) (1905-1940); Private Collection; (add.info.: History. France. Third Republic. Politician Leon Blum and the communists in clowns manipulated by the bourgeoisie. Cartoon by Phil, France, circa 1930-36. Coll. Share.); Photo © CCI
Media ID 31722066
© CCI / Bridgeman Images
3 Republic 3rd Republic 3rd Republic 1870 1940 Annees 30 Circus Circus Performance Cirque Clown Clowns Communism Communisme Communist Communists Dessin Satirique Drum Drummer Drums Head Of Government Head Of State Iiird Republic Instrument De Musique Musicien Musique Performances Politicien Politique Presidents Show Spectacle Symbole Symbolical Representation Symbology Tambour Third Republic 1930 1939 Years 30 30s 1930 1939 Years 30s 19301939 1933 34 20eme Siecle Music Instrument Symbols
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EDITORS COMMENTS
The engraving titled "Leon Blum. 1930-1936" by Philippe Larquier captures a significant moment in French history during the Third Republic. The image depicts politician Leon Blum, who served as the head of state from 1936 to 1940, surrounded by clowns manipulated by the bourgeoisie. Created around 1930-36, this satirical cartoon reflects the political climate of that time. Blum's presidency was marked by his affiliation with communism and his efforts to address social inequality. However, he faced opposition from powerful bourgeois forces who sought to undermine his policies. In this artwork, the clowns symbolize those manipulated by these influential groups as they surround Blum. The use of caricature and satire in this engraving adds depth and complexity to its message. It highlights how politics can be seen as a spectacle or performance, with politicians like Blum being portrayed as circus performers on a stage controlled by external forces. This print serves as both a historical document and an artistic expression of political commentary. It offers viewers an insight into the challenges faced by progressive leaders like Blum during a tumultuous period in French history. Overall, Larquier's engraving provides us with a thought-provoking visual representation of power dynamics within politics and society at large during the early twentieth century in France.
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