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The Partian Shot, illustration from The Kaisers Garland by Edmund J. Sullivan, pub
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The Partian Shot, illustration from The Kaisers Garland by Edmund J. Sullivan, pub
779929 The Partian Shot, illustration from The Kaisers Garland by Edmund J. Sullivan, pub. 1916 (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22227228
© The Stapleton Collection / Bridgeman Images
Kaiser Wilhelm Ii 1914 1918 Wwi Ww One First World War 1914 1918 Great War Monster Prussia Prussian
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The Partian Shot
EDITORS COMMENTS
is a captivating illustration captured by Edmund J. Sullivan in 1916, as part of "The Kaiser's Garland". This lithograph print, now housed in a private collection, transports us back to the tumultuous era of World War I. In this satirical and thought-provoking artwork, Sullivan skillfully depicts the German Emperor Wilhelm II as a monstrous figure. The Prussian leader is portrayed with exaggerated features and surrounded by angels, symbolizing his belief in divine right and superiority. However, instead of emanating benevolence or power, these heavenly beings appear distressed and disillusioned. Sullivan's caricature serves as biting commentary on the devastating consequences of war. Through his artistic lens, he exposes the destructive nature of Germany's militaristic ambitions during this global conflict. The image captures not only the physical destruction caused by warfare but also highlights its impact on humanity's moral fabric. As we gaze upon this engraving from our vantage point in the twenty-first century, it serves as a reminder of how art can transcend time and continue to provoke reflection on historical events. "The Partian Shot" invites us to contemplate the complexities of power dynamics during times of war while urging us to question authority figures who may exploit their positions for personal gain. This remarkable piece encapsulates both the artist's talent and his commitment to social critique through visual storytelling—a testament to Sullivan's enduring legacy within twentieth-century art history.
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