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The Taking of Christ, detail of the polyptic of Santa Chiara. (oil on wood, circa 1350)

The Taking of Christ, detail of the polyptic of Santa Chiara. (oil on wood, circa 1350)


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The Taking of Christ, detail of the polyptic of Santa Chiara. (oil on wood, circa 1350)

LRI4609506 The Taking of Christ, detail of the polyptic of Santa Chiara. (oil on wood, circa 1350) by Veneziano, Paolo (fl.1333-62); Gallerie dell Accademia, Venice, Italy; (add.info.: The Taking of Christ, detail of the polyptic of Santa Chiara. Painting by Paolo Veneziano (ca. 1290-1358/1362), oil on wood, circa 1350. Venezia, Gallerie del Accademia); Luisa Ricciarini; Italian, out of copyright

Media ID 22286520

© Luisa Ricciarini / Bridgeman Images

Apotre Arrest Chalice Kiss Olive Garden Peephole Saint Peter Treason Trecento Aureole


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EDITORS COMMENTS
This print showcases a mesmerizing detail of the polyptic of Santa Chiara, titled "The Taking of Christ". Painted by Paolo Veneziano around 1350, this oil on wood masterpiece is housed in the Gallerie dell Accademia in Venice, Italy. The artist's skillful brushstrokes bring to life a pivotal moment from biblical history. In this scene, we witness the dramatic arrest of Jesus Christ by soldiers under the cover of darkness. The painting captures the tension and betrayal as Judas Iscariot kisses Jesus on the cheek, identifying him to his captors. Saint Peter stands nearby with an expression of shock and disbelief. Veneziano's attention to detail is remarkable; every element contributes to the narrative. From the aureole surrounding Christ's head symbolizing his divinity to the chalice representing his impending sacrifice, each object holds deep religious significance. The composition also includes subtle touches like a peephole through which we glimpse an olive garden—a poignant reminder of Jesus' anguish before his crucifixion. "The Taking of Christ" transports viewers back to trecento Italy, immersing them in its rich artistic heritage and spiritual devotion. This powerful depiction serves as a testament not only to Veneziano's talent but also to humanity's enduring fascination with biblical stories throughout history.

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