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Polyptych Baroncelli: the Coronation of the Virgin (Tempera on wood, 13th-14th century)

Polyptych Baroncelli: the Coronation of the Virgin (Tempera on wood, 13th-14th century)


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Polyptych Baroncelli: the Coronation of the Virgin (Tempera on wood, 13th-14th century)

LRI4572477 Polyptych Baroncelli: the Coronation of the Virgin (Tempera on wood, 13th-14th century) by Giotto (Giotto di Bondone) (c.1266-1337); Santa Croce, Florence, Italy; (add.info.: Polyptych Baroncelli: the Coronation of the Virgin Tempera on wood by Giotto da Bondone (1267-1337) Dim 185x323 cm Florence, church Santa Croce); Luisa Ricciarini; Italian, out of copyright

Media ID 22542052

© Luisa Ricciarini / Bridgeman Images

Coronation Sacre Trecento


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> Europe > Italy > Paintings

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EDITORS COMMENTS
This print showcases the Polyptych Baroncelli: the Coronation of the Virgin, a remarkable masterpiece created by Giotto di Bondone during the 13th-14th century. The tempera on wood painting measures an impressive 185x323 cm and is housed in the Santa Croce church in Florence, Italy. Giotto, one of the most influential artists of his time, skillfully depicts this biblical scene with intricate details and vibrant colors. The artwork portrays the moment when Mary is crowned as Queen of Heaven by Jesus Christ himself. It exudes a sense of divine grace and spiritual significance that resonates with viewers even today. Luisa Ricciarini's expertly captured photograph allows us to appreciate every brushstroke and nuance in this trecento masterpiece. Through her lens, we are transported back to a time when religious art held great importance in Italian society. The Polyptych Baroncelli serves as a testament to Giotto's exceptional talent and his ability to breathe life into religious narratives through his paintings. This piece not only reflects Giotto's mastery but also represents an important chapter in Italian art history. As we gaze upon this image, we are reminded of the enduring power of faith and how it has inspired countless artists throughout centuries. It stands as a visual representation of devotion and reverence for both art enthusiasts and believers alike.

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