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Orlande de Lassus, polyphonic composer
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Orlande de Lassus, polyphonic composer
6039980 Orlande de Lassus, polyphonic composer. by Bry, Theodor de (1528-98); Private Collection; (add.info.: Orlande de Lassus, Franco-Flemish polyphonic composer of the late Renaissance, 1532-1594. Orlandus Lassus D Bauar Musicus. Copperplate engraving by Johann Theodore de Bry from Jean-Jacques Boissards Bibliotheca Chalcographica, Johann Ammonius, Frankfurt, 1650.); © Florilegius
Media ID 22583154
© Florilegius / Bridgeman Images
Academic Bibliotheca Chalcographica Franco Flemish Jean Jacques Boissard Johann Theodore De Bry Scholar Copperplate Engraving Orlande De Lassus Orlando Di Lasso
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EDITORS COMMENTS
This print showcases the renowned polyphonic composer Orlande de Lassus, a prominent figure of the late Renaissance. The image, captured by Bry, Theodor de in 6039980, is part of a private collection and holds immense historical significance. Orlande de Lassus was a Franco-Flemish composer whose musical genius left an indelible mark on the world of classical music. Born in 1532 and passing away in 1594, his compositions were characterized by their intricate harmonies and rich textures. His talent earned him various titles throughout his career, including "Orlandus Lassus D Bauar Musicus". The copperplate engraving by Johann Theodore de Bry beautifully captures the essence of this influential musician. It is believed to have been published in Jean-Jacques Boissard's Bibliotheca Chalcographica in Frankfurt around 1650. This portrait not only serves as a visual representation of Orlande de Lassus but also offers insight into the academic and scholarly atmosphere surrounding his work during that era. Its inclusion within Fine Art Finder's collection further emphasizes its importance as an artistic treasure. As we admire this remarkable depiction, let us celebrate Orlande de Lassus' enduring legacy as one of history's most celebrated composers who enriched our lives with his masterful polyphonic compositions during the Renaissance period.
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