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Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D
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Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25
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Media ID 20137748
© /Heritage Images
Afghan Afghani Afghanistan Bahram Gur Bahram Gur King Of Iran Carpet Carpets Five Treasures Ganjavi Ganjavi Nezami Haft Paikar Harp Harpist His Majesty Husband Indian Miniature Iran Iranian Khamsa Of Nizami King Bahram V King Of Iran Miniature Musicians Nezami Nezami Ganjavi Nizami Nur Sultan Muhammad Panj Ganj Persia Persian Persian Carpet Perso Arabic Poem Polygamous Polygamy Princess Sasanian Script Seven Portraits Seven Princesses Shaikh Shaikh Zada Soft Furnishing Stringed Instrument Sultan Muhammad Sultan Muhammad Nur Turban Turbans Varahran V Wives Zada Zada Shaikh Gold Colour Head Dress
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This 16th-century print captures the majestic scene of Bahram Gur in the White Palace on a serene Friday. The photo print, part of a Khamsa (Quintet) by Nizami, showcases the exquisite artistry and rich cultural heritage of Afghanistan. In this masterpiece, Bahram Gur, the illustrious king of Iran, is depicted amidst opulent interior decoration and intricate details. The vibrant colors and golden hues add an aura of grandeur to the scene. As he sits on his throne adorned with flowers and carpets, Bahram Gur exudes power and authority. The presence of musicians further enhances the ambiance as a harpist delicately plucks at her instrument while others play melodic tunes in harmony. This depiction not only highlights the importance of music in Iranian culture but also adds depth to the composition. The attention to detail is remarkable; every element from headgear to clothing reflects historical accuracy. It is evident that Sultan Muhammad Nur has masterfully captured this moment from Nezami Ganjavi's literary work with precision and skill. As we gaze upon this photograph print housed within The Metropolitan Museum of Art collection, we are transported back in time to witness a marriage between literature and visual art. Through Shaikh Zada Sultan Muhammad Nur's lens, we can appreciate both the beauty of nature surrounding Bahram Gur's palace as well as his majesty himself. This print serves as a testament to Afghanistan's rich artistic legacy and reminds us how important it is to preserve these treasures for future generations.
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