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Chikubu Island in Omi Province, No. 30 on the Saikoku Pilgrimage Route (Saikoku junrei... 1859. Creator: Utagawa Kunisada)
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Chikubu Island in Omi Province, No. 30 on the Saikoku Pilgrimage Route (Saikoku junrei... 1859. Creator: Utagawa Kunisada)
Chikubu Island in Omi Province, No. 30 on the Saikoku Pilgrimage Route (Saikoku junrei sanjuban Omi Chikubujima), from the series " The Miracles of Kannon (Kannon reigenki)", 1859
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Media ID 25325242
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Avalokiteshvara Avalokitesvara Bodhisattva Calligraphy Cartouche Colourful Gepparo Gototei Guan Yin Guanyin Ichiyosai Island Kannon Kinraisha Kochoro Kuan Yin Kunisada Kunisada Utagawa Kunisada Utagawa I Lake Biwa Miracle Miracles Of Kannon Miraculous Oban Padmapani Pilgrimage Province Provincial Purple Route Saikoku Shozo Toyokuni Iii Tsunda Shozo Utagawa Kunisada Utagawa Kunisada I Utagawa Toyokuni Iii Color Woodblock Print
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EDITORS COMMENTS
This vibrant and captivating woodblock print by Utagawa Kunisada transports viewers to Chikubu Island in Omi Province, Japan. The artwork is part of the series "The Miracles of Kannon" which depicts various scenes along the Saikoku Pilgrimage Route. In this particular print, we see the picturesque island surrounded by Lake Biwa, Japan's largest freshwater lake. The lush greenery and serene atmosphere create a sense of tranquility that is synonymous with Japanese landscapes. Clouds gently float above, adding depth and movement to the composition. The focus of the artwork lies on Chikubu Island itself, known for its religious significance as it is home to Hogon-ji Temple dedicated to Kannon (Avalokiteshvara), the bodhisattva of compassion. The temple's architectural beauty harmonizes with nature seamlessly. Kunisada masterfully captures not only the physical beauty but also conveys a spiritual essence through his intricate details and use of color. The figures dressed in traditional clothing, particularly their kimonos adorned with vibrant patterns, showcase both cultural heritage and fashion during Japan's Edo period. This woodblock print serves as a testament to Kunisada's artistic prowess and his ability to transport viewers into another time and place. It invites us to appreciate both natural wonders and religious devotion intertwined within Japanese culture.
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