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Bill The Giant-killer, 1884. Artist: Joseph Swain
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Bill The Giant-killer, 1884. Artist: Joseph Swain
Bill The Giant-killer, 1884. Lord Salisbury, the Conservative Leader in the House of Lords, peers over the battlements at the Franchise Bill which, dressed as a herald, noisily demands entry. This relates to the Liberals new Franchise Bill which had occupied much of the parliamentary time in the Commons during the past few months. At the beginning of November 1884, the Bill had a third reading in the Commons and was then sent for consideration to the Lords. From Punch, or the London Charivari, November 22, 1884
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Media ID 14831891
© The Print Collector / Heritage-Images
Battlements Cecil Conservative Conservative Party Door Entry Herald Heritage Image Partnership House Of Lords Houses Of Parliament John Tenniel Joseph Swain Leader Legislation Liberal Party Lord Lord Robert Cecil Lord Salisbury Palace Of Westminster Robert Arthur Gascoyne Sir John Tenniel Swain Tenniel City Of Westminster Franchise Bill Heralding
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Bill The Giant-killer, 1884 - A Glimpse into Political Turmoil
EDITORS COMMENTS
. This print captures a pivotal moment in British political history. Painted by the talented artist Joseph Swain and featuring Lord Salisbury, the Conservative Leader in the House of Lords, it depicts a scene filled with tension and anticipation. Dressed as a herald, Bill The Giant-killer symbolizes the Liberal Party's Franchise Bill that had dominated parliamentary discussions for months. Peering over the battlements at Westminster Palace, Lord Salisbury stands as a formidable figure representing the opposing Conservative Party. The Franchise Bill's third reading in the Commons marked its journey to be considered by the Lords. This image perfectly encapsulates this crucial stage of legislation - an entry point where decisions could shape the future of society. Swain's skillful caricature and satire highlight both parties' contrasting ideologies amidst intense debates surrounding suffrage expansion. With intricate engravings showcasing London's iconic buildings and fortifications, this monochrome masterpiece transports viewers back to 19th-century England. As we delve into this historical gem from Punch magazine on November 22nd, 1884, we witness not only an artistic marvel but also a reflection of societal tensions during that era. Through this print collector’s lens, we gain insight into how politics shaped lives within Westminster while leaving an indelible mark on British heritage.
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