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La Toilette, 1889, (1952). Creator: Henri de Toulouse-Lautrec
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La Toilette, 1889, (1952). Creator: Henri de Toulouse-Lautrec
La Toilette, 1889, (1952). A red-haired woman seated on the floor, seen from the back. Painting, also known as Rousse, and Redhead (Bathing), in the Musee d Orsay, Paris. From " Henri De Toulouse-Lautrec" by Douglas Cooper. [Thames and Hudson, London, 1952]
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Media ID 19658877
© The Print Collector/Heritage Images
Arthur William Douglas Arthur William Douglas Cooper Cooper Cooper Arthur William Douglas Cooper Douglas Demi Monde Demimondaine Demimonde Douglas Douglas Cooper Douglas Lord Fin De Siecle Fin De Sipcle Fin De Siþcle Henri De Henri De Toulouse Henri De Toulouse Lautrec Henri Marie Raymond De Lautrec Lautrec Henri De Toulouse Lord Lord Douglas Parisian Post Impressionism Post Impressionist Rear View Red Hair Redhead Toulouse Lautrec Toulouse Lautrec Henri De Toulouse Lautrec Monfa Impressionist Nakedness Nudity
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EDITORS COMMENTS
In this photo print, we are transported back to the late 19th century and immersed in the world of French artist Henri de Toulouse-Lautrec. The image showcases his renowned painting "La Toilette" from 1889, which was later reproduced as a print in 1952. The focal point of the artwork is a red-haired woman seated on the floor, her back facing us. She exudes an air of mystery and allure as she engages in her private ritual of self-care. Known by various names such as Rousse and Redhead (Bathing), this piece can be found at the Musee d'Orsay in Paris. Toulouse-Lautrec's mastery shines through with his use of color and composition. The vibrant red hair stands out against the muted tones surrounding her, drawing our attention to her graceful form. Through his impressionistic style, he captures not only physical beauty but also hints at the inner thoughts and emotions that lie beneath. This artwork transports us into a world known as demi-monde or demimondaine - a term used to describe women who lived on the fringes of society during that era. It offers us a glimpse into their lives filled with sensuality, elegance, and perhaps even melancholy. As we gaze upon this exquisite print, we become witnesses to Toulouse-Lautrec's ability to capture fleeting moments with great sensitivity. It serves as a reminder of both his artistic genius and his fascination with depicting scenes from everyday life in fin de siècle France.
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