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Terrarum Orbis Tabula after G. a Schagen. C. 1689

Terrarum Orbis Tabula after G. a Schagen. C. 1689


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Terrarum Orbis Tabula after G. a Schagen. C. 1689

Terrarum Orbis Tabula after G. a Schagen. Pub. C. 1689 (hand coloured engraving)

Heritage Images features heritage image collections

Media ID 15142361

© Historica Graphica Collection / Heritage-Images

Cornfield Destruction Earth Explosions Faun Four Elements Hades Hand Coloured Engraving Harvesting Heaven Heavens Husbandry Mermaids Mermen Rams Shells Whale Wind World Map Battlefield Historica Graphica Collection


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Water Mouse

> Historic > World War I and II > Battlefields

> Maps and Charts > World


EDITORS COMMENTS
This hand-coloured engraving, titled "Terrarum Orbis Tabula after G. a Schagen" takes us back to the 17th century Dutch school of art. A true masterpiece from the Historica Graphica Collection, this print showcases a world map like no other. As we delve into this intricate artwork, our eyes are immediately drawn to the battlefield depicted in vivid colours. Explosions and fire engulf the scene, symbolizing destruction and war that plagued this era. Amidst the chaos, we spot cornfields being harvested and husbandry activities taking place – a stark contrast between life's beauty and its harsh realities. The artist skillfully incorporates elements representing each of the four elements: earth, wind, water, and fire. Mermaids gracefully swim alongside ships sailing through rough seas while mermen emerge from shells amidst spouting whales. This fantastical touch adds an ethereal quality to the illustration as if transporting us to another realm where heaven meets earth. Intriguingly enough, Hades himself makes an appearance in this composition – a reminder of life's transience and inevitable journey towards death. Rams dotting the landscape further emphasize themes of power and strength. This extraordinary piece not only serves as a map but also invites contemplation on humanity's relationship with nature and its own self-destructive tendencies. It is an exquisite blend of historical accuracy with artistic imagination that captures both our curiosity about distant lands and our fascination with mythology.

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