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Times Waxworks, 1881. Artist: Joseph Swain
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Times Waxworks, 1881. Artist: Joseph Swain
Times Waxworks, 1881. Father Time shows Mr Punch around Madame Tussauds, the waxwork museum of celebrities that opened in 1802. In the background can be seen representatives of Afghanistan, India and Zululand. Added to the collection is the menacing figure of Irish anarchy, complete with blunderbuss, knife, pistol and dynamite. This relates to the past year of 1881 being dominated by Irish affairs and ending with continued, if not increased, violence and lawlessness in that country. The anarchist belongs in the Chamber of Horrors due to the violence being perpetrated against women and children in particular. From Punch, or the London Charivari, December 31, 1881
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Media ID 14831757
© The Print Collector / Heritage-Images
Afghanistan Anarchy Dummy Dynamite Father Time Foreign Affairs Foreign Policy Heritage Image Partnership Ireland Irish John Tenniel Joseph Swain Knife Knives Mr Punch Pistol Punch Punchinello Sir John Tenniel Swain Tenniel Time Tribal Tribe Zululand Allegorical Figure Blunderbuss Hindoostan Madame Tussauds
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EDITORS COMMENTS
This print, titled "Times Waxworks, 1881" takes us back to a significant moment in history. Created by renowned artists Joseph Swain and John Tenniel, this allegorical image showcases Father Time guiding Mr Punch through the famous Madame Tussauds waxwork museum. Intriguingly, the backdrop reveals representatives from Afghanistan, India, and Zululand. However, what truly captures our attention is the menacing figure of Irish anarchy prominently displayed among the collection. Armed with a blunderbuss, knife, pistol, and dynamite, this character symbolizes the turbulent events that unfolded throughout 1881 in Ireland. The inclusion of this anarchist within Madame Tussauds' Chamber of Horrors signifies the escalating violence and lawlessness witnessed during that year. Particularly distressing was the targeted harm inflicted upon women and children by these individuals. As we delve into this thought-provoking artwork from Punch magazine's December 31st edition in 1881, it becomes evident that it serves as both a caricature and satire on political matters. The engraving skillfully depicts various weapons such as guns and knives to highlight ongoing conflicts worldwide. With its monochrome aesthetic capturing every intricate detail meticulously crafted by Swain and Tenniel's expertise in printmaking techniques; this heritage image partnership offers us a glimpse into foreign affairs during the late 19th century. Although not intended for commercial use but rather as a historical artifact preserved for posterity's sake; this print transports us back to an era where politics intertwined with artistry to convey powerful messages about society at large.
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