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The Union, January 1, 1801. January 1, 1801. Creator: Thomas Rowlandson

The Union, January 1, 1801. January 1, 1801. Creator: Thomas Rowlandson


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The Union, January 1, 1801. January 1, 1801. Creator: Thomas Rowlandson

The Union, January 1, 1801

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Media ID 19984844

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Bull Bulls Horns Ireland Irish Knight Papal Crown Papal Tiara Pitt Pitt William The Younger Pope Prime Minister R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Saint Patrick St Patrick The Younger Thomas Rowlandson Unification W Pitt William Pitt William Pitt The Younger Hand Coloured Hand Tinted Metaphor Politicians Roman Catholicism


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > William Williams

> Europe > United Kingdom > England > London > Politics > William Pitt the Younger

> Europe > United Kingdom > England > London > Politics > William Pitt

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> People > Politicians

> Popular Themes > Politics


The Union, January 1,1801

EDITORS COMMENTS
is a captivating print by Thomas Rowlandson that captures the political and religious tensions of early 19th-century Britain. In this hand-colored etching, we witness a metaphorical battle between two powerful forces: Catholicism and British politics. The central focus of the image is a fierce bullfight between a majestic bull representing Britain and another adorned with papal tiara symbolizing Roman Catholicism. The locked horns signify the struggle for dominance between these opposing ideologies. Surrounding them are politicians such as William Pitt the Younger, who played a significant role in shaping British politics during this time. Rowlandson's use of color adds depth to the scene, highlighting the intensity of this conflict. The vibrant reds and blues evoke strong emotions while emphasizing the significance of religion and country in people's lives. This artwork also incorporates elements from Irish heritage, with Saint Patrick depicted on one side as an emblematic figure for Ireland. It serves as a reminder that religious divisions were not limited to England but extended to other parts of Great Britain. Displayed at The Metropolitan Museum of Art, "The Union" stands as a historical testament to an era marked by political strife and religious discord. Through his masterful artistry, Rowlandson invites viewers to reflect upon how these conflicts shaped both national identity and individual beliefs during this transformative period in British history.

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