Laurent Cars (French, 1699-1771) after Jean-Baptiste Greuze (French, 1725 - 1805)
Wall Art and Photo Gifts from Liszt Collection
Laurent Cars (French, 1699-1771) after Jean-Baptiste Greuze (French, 1725 - 1805)
Laurent Cars (French, 1699-1771) after Jean-Baptiste Greuze (French, 1725 - 1805). The Blind Man Deceived (L aveugle trompe), ca. 1760-1770. Etching on laid paper. Plate: 385 mm x 360 mm (15.16 in. x 14.17 in.). First of two states, before letters
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12706461
© Quint & Lox Limited
1516 1699 1725 1760 1770 1771 1805 Expression First Jean Laid Paper Laurent Cars Letters Two States
EDITORS COMMENTS
This print showcases the artistic brilliance of Laurent Cars, a French artist from the 18th century. Inspired by Jean-Baptiste Greuze's renowned painting "The Blind Man Deceived". Cars masterfully captures the essence of this emotional scene in his etching on laid paper. The image depicts a blind man, deceived and vulnerable, as he reaches out to touch an illusionary object. The intricate details and delicate lines convey a sense of depth and texture, highlighting Cars' exceptional skill in etching. With dimensions of 385 mm x 360 mm, this print truly commands attention with its impressive size. In its first state before letters, this artwork allows viewers to focus solely on the visual narrative without any distractions. The absence of text invites us to interpret the story behind "L'aveugle trompe" through our own imagination. This illustration is not just a mere reproduction; it represents a creative expression that transcends time and connects us with centuries-old beauty. Its elegance speaks volumes about the rich cultural heritage embedded within French art history. Whether displayed in a museum or cherished within your personal collection, this print serves as a testament to both Cars' talent and Greuze's original masterpiece. It is an invitation to appreciate the timeless allure of classical artistry while immersing ourselves in its profound message – reminding us that appearances can often deceive even those who cannot see.
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